Social Media Edits

A minute, if it is the right minute.

Short-form edits cut from your footage. Vertical and horizontal masters come out of the same edit, at the same price, ready to post the day they land.

One minute, start to finish · Downtown Austin

Cameras booked by

01

A minute is longer than it sounds.

Long enough to open, make one point and land it. Short enough that people reach the end, which is the only part that counts. The work is not filling the minute, it is deciding what does not go in it.

Most footage has several minutes in it. We will tell you how many.

A performer in a cowboy hat reaching out to the crowd from a festival stage.
02

Cut for a thumb, not for a room.

Nobody is sitting in the dark waiting to be impressed. The first second has to earn the second second, so these are cut from the front: the opening frame is the strongest one, the pace stays ahead of the viewer, and nothing is held because it was hard to get.

03

Both shapes. One edit. One price.

Vertical and horizontal masters come out of the same session on the timeline, so you are not choosing a format at the start and regretting it later, and you are not paying twice to have the same film in two shapes. Licensed music is on both. Nothing is left for you to crop.

Square too, when something calls for it.

Camera operator in a white shirt and headphones filming with a rig at an indoor event
04

It arrives finished.

Graded, mixed and licensed for the places you are going to put it. Captions are there if you want them, and worth having when half the room is watching with the sound off. No watermark, no logo we snuck into the corner, no follow-up invoice when you want it somewhere else next quarter.

What it costs

Priced by the finished minute.

  • A finished minute$149 per edited minute

    Cut, color, sound and titles on the minute that runs. Licensed music is in, not extra. Captions on request. Most first projects are one minute, and one minute goes further than people expect.

Vertical and horizontal masters come out of the same edit and are covered by the same figure. Wanting the film in two shapes is not a second project, so it is not a second charge.

See the full rates
By the finished minute, not by the hour it took.You pay for the minute that runs. The twelve hours of footage it came out of are our problem, and the second master is not a second charge.
A car carrying a rooftop digital screen advertising the Showtime series Super Pumped, parked in front of a colorful Austin mural.

Send us the footage.

Ours or somebody else's. Tell us where it is going and roughly how long it should run.

No deposit on most bookings. Charged when we deliver.