Shoot once. Cut it every way you need it.
A film for the landing page, the cutdowns, and the verticals. One day on set, three places to put it.
On setCameras booked by
The brief takes a sentence.
What it is for, where it will live, and when you need it. A landing page film and a set of verticals are one shoot and two edits, not two bookings, and knowing that on the call is what keeps it that way.
You talk to the person who will actually cut it. Nothing is relayed through a producer who was briefed in the car.
On the day, the schedule is our problem.
We show up early, light it, and work around your day rather than pausing it. Nobody gets handed a script they have not seen, and nobody has to be told to look natural. If the run of show moves, the plan moves with it.
It comes back cut for where it goes.
The wide cut for the site, the short one for the feed, the vertical for stories. Same shoot, graded and finished, delivered in about a week rather than whenever the queue clears.
Need it sooner? Say the word, we do rush. Then go make somebody jealous.
Nobody should have to rent their own footage.
Most studios keep the project file and quote you for every change after handoff, so a new cutdown next quarter is a new invoice. Your footage leaves with you, and the edit you paid for is not held hostage to keep you calling.
This company has watched our organization grow over the past few years and captured some of our biggest moments. They will always have a loyal client here.
Roll camera.
Tell us what you need. A sentence is enough to start.
No deposit on most bookings. Charged when we wrap.