Here is the part most studios keep behind a form. Every rate on this page is the whole rate, and what it covers is written underneath it. Read the value first. The numbers will make sense by the time you reach them.
You are buying a finished gallery. Edited, color-true, ready to publish.
Full editing, back in your hands inside three business days. No per-photo charges standing between you and your own pictures.
A card goes on file when you book, and on most bookings nothing is charged until after your booking ends. For bookings with a rate of $1,000 and up, we generally require a deposit at the time of confirmation. Check out Booking Terms for more details.
Billed by the hour, every rate below is the whole rate: crew, gear, and the finished work in your hands. Booking Terms has the fine print.
An hour with someone who's done this a thousand times looks nothing like an hour with someone on their first fifty.
Crew, gear, and first party usage rights are already included. Booking Terms has the details.
Video is a crew, not a camera. The rate is what it takes to keep the set moving.
Crew, gear, and first party usage rights are already included. Booking Terms has the details.
Booking it twice costs more than booking it once. So we built it as one call.
The right call when you want real coverage in both, not maximum coverage in either. Need photo and video running at once, in depth? That is Two Shooters.
Two specialists, both working the whole time. Nothing gets covered second.
The call for events and launches, where the moment does not repeat for the second camera.
The city from above. Licensed, cinematic, exact.
Best added to a ground booking. The crew is already on site, so the same day covers more ground and nothing waits on a second call-out.
Your gallery already comes back finished. Everything here is the extra craft, added when you want it. Booking Terms has the definitions.
This is the frame that ends up on the cover. Finished until there is nothing left to find.
Skin, background, body work, added only when you want it. See your gallery first, most people don't end up needing it.
You pay for the minute that runs, not the twelve hours it took to find it.
Delivered ready for TikTok, Reels, and Shorts. No cropping, no reformatting, nothing to think about before you post.
Long-form is shaped by the story, so it gets a number shaped by the story.
Tell us the runtime and the deadline. You will have a scope and a number the same day.
Square footage, product scope, menu size, per car. Where the subject sets the number instead of the clock, you can price the job before you call.
Square footage is the honest measure. It sets how much there is to shoot, and how much there is to finish afterwards.
Priced on floor area, so the number is settled before anyone arrives.
No two products photograph the same way. The number follows the work, not a list price.
These depend on the project: the size of the product, how much staging and art direction it takes, whether we book a model. Start an inquiry and you will have a number for your actual shoot.
An auction listing is won or lost in the photo set. Pound for pound it is the highest-leverage line in the sale.
Flat per car, not hourly. Bring several and the per-car number comes down.
A menu shot once, properly, outlasts every seasonal change around it. Reshooting four dishes a year costs more than doing the whole menu right.
Menu size and whether you want video move the number. Send your menu, get an exact figure.
The best reason to have people in a city is that nobody has to fly.
Towns and areas with no partner on the ground carry a flat surcharge instead.
Good days run long. Fifteen minutes should not cost you an hour.
The clock starts the first minute you run over, not at the end of a block. Booking the time upfront always costs you less, and we will tell you that before you book.
Towns near Austin where no partner is working yet. One flat addition to the booking, nothing else.
Anywhere else, tell us where and we will quote the trip as one line before anything is booked.
Add any of these to a booking above and they are settled at the end of the same shoot, with everything else.
The difference between a headshot day and a headshot day that finishes on time.
Charged per every 50 guests of estimated headcount. Waived for corporate clients receiving the full set through a single point of contact for internal distribution, since we are not handling individual delivery in that case, just one download link.
For the launch that goes live before the crew gets home.
Arranged when you book, so the shoot and the turnaround are scheduled as one thing. Ask early rather than on the day: rush depends on what else is already on the calendar.
Your gallery the day after the shoot instead of three, for the deadline that will not move.
The same full gallery on a shorter clock. Worth adding when the standard turnaround would land just past the date you actually need it.
Links expire, life happens. We can put yours back up.
Files may move off-site or be removed, and we can't guarantee they're still available after the 7-day download window. For anything mission-critical, ask about archival service, we'll hold onto it for a fee rather than let it go.
Weddings only. The first 100 guests are already inside the standard wedding rate; this applies per additional 50 above that. If your count drops before the day and you tell us, the rate drops with it.
We book the right professional studio for the job, for photo and video alike. Amigo Studio works with a network of partner commercial studios around Austin and in the other markets we serve, matched to what the shoot actually needs. Real production infrastructure, booked and run by us, without one room deciding what your shoot can be.
Some clients need a commercial studio. Others just want one. Both get the room they need, with the features they expect.
Stills and motion book as one production inside the studio, on one rate and one day. Every partner space is different, so we match the room to the shoot before anything is booked.
A booked professional studio and your crew for a half hour. Enough for headshots, a compact set, or a short piece to camera, back with you in three business days.
The room and the lighting for a full hour. Time for a couple looks and a wardrobe change, or a run of short video pieces shot back to back.
Four hours in the space. Multiple looks, multiple sets, stills and motion in the same booking, and the time to build each one properly rather than racing the clock.
A full production day. Video captured alongside stills when the day calls for it, and the schedule to do both properly.
Rates run in flat steps from thirty minutes through a full day. Four are shown here. Ask for the rest, or read the full schedule on Booking Terms.
The rate carries your crew, the gear, and the licensing. Photographs come back finished, matching the work you see on this site. Video comes back as ready-to-edit footage and audio. Deciding which of your own pictures you can have is not a business we want to be in.
Photo, video, aerial, and post combine into a single on-location booking. One crew, one schedule, one number at the end.
Photos in three business days, video in about a week. You will be posting while everyone else is still waiting on theirs.
You don’t have to know the way. We already do.
The granular version of all of this lives on Booking Terms.
Read the full Booking TermsThe shoot, your crew, the gear, and every good frame edited and delivered. There is no per-picture charge to see your own gallery. Check out Booking Terms for more details.
A sentence or two is plenty. Bigger or more involved jobs, a multi-shooter day, a long wedding, a production with a lot of moving parts, get a quote built around the actual work. Ask and we will put one together.