Industrial
Work that doesn't stop because a camera turned up.
Industrial shoots happen on somebody else's schedule, in somebody else's light, next to something that is genuinely dangerous. We work fast, stay out of the way, and shoot the thing being made and the person making it as one subject — because a shop floor with nobody in it sells nothing, and a portrait with no work in it could have been taken anywhere.
Send the site, the shift times and your safety requirements. We'll come in with our own PPE.
Start the conversation
Nobody stops the line for a photograph.
So we don't ask them to. We learn the sequence, find the position, and wait for the part of it that looks like what it is.
Then somebody takes it outside.
Site work, at whatever hour the trade actually starts — and the scale of the thing, from far enough back to see it.
Half of a site day is listening. You get the frame when you already know what's about to happen, and you're standing somewhere you're allowed to be.
And the people whose name is on the truck.
A small crew is a brand whether it wants to be or not. This is what one morning with one of them looks like.
The shop floor is the best-lit room most companies own, and the last one they think to photograph.
Send us the site.
Shift times, safety requirements, and what you need the pictures to do. We'll work around the work.
