
The work · Business · Commercial
Live Performances & Concerts
One song, one frame, and no second take.
21 frames·Austin venues, patios & festival stages·Photos in three business days
Stage light is either your best friend or a magenta disaster, and you find out in the first eight bars. We shoot from the pit and the room, quiet enough to stay out of the show, fast enough to catch the one gesture the player didn't plan. Flamenco to fiddle to a DJ at 1am — same crew, same night.

Flamenco, mid-turn.

The show doesn't stop for the photographer.
So we work the way the room works: fast, dark, and out of the way.
Lalou, on stage at SXSW.



Shutto — a stage built for one night.
Fiddle, and everyone behind itFrames 09–11



Taste of Cedar Park.


Sunset set, no stage lights yet.
Marble Collective, day one.



After the band: the room keeps going.


Patio trio, Sunday.
You get one pass at the chorus. Be pointed at the right person when it lands.


