Sports Photography
The half-second everyone will argue about afterwards.
Sport doesn't wait and it doesn't repeat. We shoot it long, fast and from where the play is actually going to end up, which means knowing the game well enough to be standing in the right place before anything happens. Youth leagues, adult rec, high school, the weight room at six in the morning — the same approach, whether there are four hundred people watching or four.
Send the schedule and the sport. We'll tell you which angle we want and what light we're working with.
Start the conversation
Nobody gets a second take.
Which is the whole appeal. You learn the game, you pick the side of the field it's going to break toward, and then you hold still and wait to be right.
Long lens, wide open, shot from outside the fence. The people who paid to be there shouldn't have to look around us.
Under a roof.
Indoors the light stops being weather and starts being a problem — mixed sources, low ceilings, and a shutter speed you still can't drop below.
And the part nobody buys a ticket for.
The season is mostly this: an empty room at an unreasonable hour, and the same movement done again.
Training photographs badly when it's posed and well when it isn't, so we shoot the session that was happening anyway and stay out of the mirrors.
And the ones who started last week.
Where the score is not the point and the photograph is the entire souvenir.
Every so often the best frame of the day has nothing to do with the play, and you only get it if you're still shooting after the whistle.
You can't photograph a result. You can only photograph the second before anybody knows what it is.
Send us the schedule.
Sport, level, and whether you need action, team photos or both. We'll tell you the angle we want.
