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Parents sitting on the floor with their baby in front of a jungle-themed first birthday set, balloon arch and cake table built into a living room
The work · Business · Commercial

Mobile Studio

No studio. Same light.

23 frames·Austin and Central Texas — your address, not a studio’s·Photos in three business days

A studio is a kit, not an address. Two lights, a stand, a backdrop that folds into a car, and the twenty minutes it takes to turn a lobby, a school hall, a rented room or somebody's back deck into a place with controlled light. Everything in this gallery was made somewhere that was not a studio that morning — an office atrium, a first birthday, a living room with a tree in it — and none of it looks like it. That is the entire job.

Booking

Send the address, the headcount and how long we've got. We bring the room with us.

Start the conversation
A mother and two children with their arms raised in front of a decorated Christmas tree and garland, standing on a floor of artificial snow
Ninety minutes before this, it was a room with nothing in it.
A multi-generational family in formal Indian dress on an outdoor deck at sunset, a lake and a fence hung with love locks behind them
The Oasis on Lake Travis. The light on them is ours. The sky is not.

A studio is a kit, not an address.

Two lights, a stand and a folded backdrop fit in a car. Twenty minutes after we arrive, a conference room has controlled light and a clean wall behind it — and nothing in the picture has to be explained away afterwards.

One set. Every family who booked a slot.Frames 04–07
A man in a striped rugby shirt standing with his gray dog beside a Christmas tree on a holiday set
A couple holding a cat between them in front of a Christmas tree and beaded garland
A woman sitting on artificial snow holding a small white dog, wrapped presents and a Christmas tree beside her
A couple in bright knitted holiday sweaters holding a tabby cat in front of a decorated wall
One

Your building, before lunch.

The reason a company books this instead of a studio day is arithmetic. Forty people each leaving the building for an hour is a week of lost time. Forty people walking downstairs is an afternoon.

One lobby, one morning, the whole floor.Frames 08–11
A woman in a cream buttoned jacket photographed in an office atrium, the staircase behind her thrown out of focus
A woman in a black blazer over a patterned gold blouse, photographed against a blurred office interior
A woman in a green blouse with one hand on her hip, photographed in a bright office atrium
A bearded man in a blue collared sweater photographed against the glass and steel of an office lobby
Two

And the same kit, in a school hall.

Portrait day is the oldest version of this job and the least forgiving. One setup, a long line of children, and every single one of them has to come out looking like themselves rather than like the setup.

A boy in a blue sweater with a knitted parrot on it, pointing upward on a plain studio backdrop
Nobody told him to do that. That's rather the point.
A girl in a black sweater with beaded braids, standing on a plain light backdrop
A girl in a floral romper looking over her shoulder on a plain light backdrop
Two sisters in party dresses hugging on a deck at sunset, a lake and a fence of love locks behind them
Not every set is a backdrop. Sometimes it's a fence, a lake, and forty minutes of usable sun.
Three

The days that only happen once.

A first birthday, a christening, a holiday afternoon. These are the bookings where the set is half the point — somebody has spent a week building it, and it deserves photographing as carefully as the people standing in front of it.

A baby in a green outfit sitting on a small chair in front of a jungle-themed first birthday backdrop with a number one balloon
The set took longer to build than the party lasted.
A young woman sitting cross-legged holding a dachshund on an autumn set with pumpkins and hay bales
A seasonal set, a folding stool, and a dachshund who was not consulted.
A green frosted cake decorated with grapes on a white plate, photographed beside cupcakes and clementines
The cake gets its own frame. Whoever made it will want one.
Four

And the quietest version of it.

Newborn sessions happen at home because a four-day-old should not be in a car. Same kit, less of it — we work with the window the house already has and stay out of the way of a week nobody gets back.

A mother in a cream cardigan kissing her newborn baby's head, photographed at home
A mother standing at a window holding her newborn, the garden outside softly out of focus
A couple standing together at home holding their newborn between them
A father kissing his newborn baby, the child held against his chest on a plain backdrop
A bedroom wall, one light, and the only week he will ever be this size.
A father in profile holding his newborn out in both hands, looking down at the baby

Tell us where to park.

Offices, schools, venues, homes and back gardens across Austin and Central Texas. Send the address, the headcount and the window of time — we'll tell you what fits and what it costs before you commit to anything.

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Where to next.

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Teams18 frames
Amigo Studio

We work across the country, and we travel for the ones worth traveling for.

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Rather talk it through? Call or text (512) 200-2913

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