
Mobile Studio
No studio. Same light.
A studio is a kit, not an address. Two lights, a stand, a backdrop that folds into a car, and the twenty minutes it takes to turn a lobby, a school hall, a rented room or somebody's back deck into a place with controlled light. Everything in this gallery was made somewhere that was not a studio that morning — an office atrium, a first birthday, a living room with a tree in it — and none of it looks like it. That is the entire job.
Send the address, the headcount and how long we've got. We bring the room with us.
Start the conversation

A studio is a kit, not an address.
Two lights, a stand and a folded backdrop fit in a car. Twenty minutes after we arrive, a conference room has controlled light and a clean wall behind it — and nothing in the picture has to be explained away afterwards.




Your building, before lunch.
The reason a company books this instead of a studio day is arithmetic. Forty people each leaving the building for an hour is a week of lost time. Forty people walking downstairs is an afternoon.




And the same kit, in a school hall.
Portrait day is the oldest version of this job and the least forgiving. One setup, a long line of children, and every single one of them has to come out looking like themselves rather than like the setup.




The days that only happen once.
A first birthday, a christening, a holiday afternoon. These are the bookings where the set is half the point — somebody has spent a week building it, and it deserves photographing as carefully as the people standing in front of it.



And the quietest version of it.
Newborn sessions happen at home because a four-day-old should not be in a car. Same kit, less of it — we work with the window the house already has and stay out of the way of a week nobody gets back.





Tell us where to park.
Offices, schools, venues, homes and back gardens across Austin and Central Texas. Send the address, the headcount and the window of time — we'll tell you what fits and what it costs before you commit to anything.



